William S. Burroughs, an acclaimed author, murdered his wife Joan Vollmer in 1951, a crime that haunts his literary legacy.
Burroughs and Vollmer's tumultuous relationship was marked by drug addiction and violence, culminating in her tragic death.
The recent film adaptation of Burroughs' work, Queer, renews interest in his life, yet it raises questions about separating art from artist.
Vollmer, integral to the Beat Generation, now rests in a pauper's grave in Mexico City, with her name among unmarked graves, revealing the dark legacy of Burroughs.
The article contemplates how Burroughs’ actions and addictions parallel contemporary issues of gun violence and narcotics in America.